Monday, December 16, 2013
Day 5 Twelve Tags of Christmas with a Feminine Twist
Today is the final day of posting a tag to enter Ellen Hutson's Annual 12 Tags of Christmas with a Feminine Twist. My tag today is inspired by Kelly Alvariz of Lawn Fawn. Her tag presents a fierce Yeti in feminine holiday style. I don't have any stamp creatures close to an Abominable Snowman and this is very much a stretch for me. But I just had to give this tag a try since Kelly's gave me a big hug smile. Here is my tag with an alien snow angel. Thanks Kelly for the fun!
Thursday, December 5, 2013
Day 4 Twelve Tags of Christmas with a Feminine Twist
Ellen Hutson continues her annual 12 Tags of Christmas with a Feminine Twist. My tag today is inspired by Kittie Caracciolo designer for day 4. I have enjoyed her scenic stamping designs for several years. And now she creates dimensional works with die cuts.
Wednesday, December 4, 2013
Day 2 Twelve Day of Tags with a Feminine Twist
Ellen Hutson is hosting another "12 Day of Tags with a Feminine Twist". It has become an annual favorite tradition of my holiday season. Daily for the first 12 days of December she provides very inspiring tags created by fabulous designers and then it is our turn to create and share our tags.
This is Julie Ebersole's Day 2 Inspirational Tag:
A newer holiday tradition for me is to be in line for Ellen's Black Friday sale which begins at midnight PST. This year I was ready and bought my goodies before dawn Friday morning...and then amazingly they arrived in Tuesday's mail. So my thoughts immediately went to breaking out my new dies...so a girl does what she has to do-LOL! Julie's tag featured a window with a mini scene with layers of dies cuts so it didn't take but a few split-seconds to be inspired!
Here is the tag I created:
I started with inking a watercolor paper for the tag base and then misting with Heidi Swapp's gold lame mist. For the window background I blended Tim Holtz distress inks. To add dimension to the background I inked an additional layer the paper stencil leftover from the foliage die cut. With enthusiasm I worked with my brand new dies--Memory Box Fresh Foliage is a muti-stemmed die which provides lots of opportunities to use it in parts. I spent considerable time playing with different possible window arrangements. The Elizabeth Craft Designs 709-Birds die also provided several choices. This set provides a solid bird die as well as the left and right facing birds with intricate cuts and two different wings. I almost got side-tracked into making a 3-d bird ornament...but that went on my future project list. For now I decide to make a high contrast bird. And a close up showing some of the sparkle:
With the with window complete I embellished with Memory Box's Frosty Border, crystal stickles, Stampendous holographic mini stars and finished with a MFT sentiment. Many thanks for your wonderful video and all the inspiration in your tag. There lotsw more fabulous inspiration on Ellen's Classroom Blog as well as some opportunities for some terrific prizes...hope you join in the fun!
I started with inking a watercolor paper for the tag base and then misting with Heidi Swapp's gold lame mist. For the window background I blended Tim Holtz distress inks. To add dimension to the background I inked an additional layer the paper stencil leftover from the foliage die cut. With enthusiasm I worked with my brand new dies--Memory Box Fresh Foliage is a muti-stemmed die which provides lots of opportunities to use it in parts. I spent considerable time playing with different possible window arrangements. The Elizabeth Craft Designs 709-Birds die also provided several choices. This set provides a solid bird die as well as the left and right facing birds with intricate cuts and two different wings. I almost got side-tracked into making a 3-d bird ornament...but that went on my future project list. For now I decide to make a high contrast bird. And a close up showing some of the sparkle:
With the with window complete I embellished with Memory Box's Frosty Border, crystal stickles, Stampendous holographic mini stars and finished with a MFT sentiment. Many thanks for your wonderful video and all the inspiration in your tag. There lotsw more fabulous inspiration on Ellen's Classroom Blog as well as some opportunities for some terrific prizes...hope you join in the fun!
Thursday, November 21, 2013
Creating Sparkling Embossed Backgrounds
Here's a favorite technique to add glitter sparkle without glitter all over me and every little thing I come near. I use this technique with artsy layer backgrounds I create but it certainly can be used with any embossing you do. I personally didn’t worry too much the precision of the coverage since any extra white inks or glitter blend with my mottled background.
1. Select an embossing folders- designs that are very close together and little blank space in between the images work best.
2. Creating an artsy background paper- I begin with inking my craft mat with variety of distress ink spots and lightly misting before laying my white paper into them and then dabbing the remaining ink into the paper as desired. Heat dry. Additional layers of ink can be added as desired.
3. On the following background I added distress ink on the top inside of the embossing folder close to the image before embossing. Note it is easy to wipe off excess or misplace ink on the folder. Run through embossing machine.
4. After embossing: On several of my examples I swipped Memories white metallic ink across the top of the dry embossing.
5. Adding Glitter: Squeezed glitter glue (I use stickles)the size of about the amount to cover a quarter on an acetate packaging scrap. Cover brayer by rolling only away from oneself) then roll glitter over top of embossed area. Roll in one direction add more glitter to brayer and roll in the opposite direction.
My goal was to create a sparsely glitter the embossed background. The glitter will dry very quickly in these small quantities. The glitter glue should be left to air dry. Stickles will dry quickly if applied in a thin layer. Note-Heating glitter glue adhesives may burn the glitter.
Card with sparkle embossed background
Wednesday, October 9, 2013
The Outlawz CAS Challenge
It has been a spell since I last posted but I found that retire life is a whole lot busier than working! And here I thought it was the other way around when I was working!
Just recently Joan Petty my stamping pal from across the pond gave me a nudge to take a look at The Outlawz an active daily challenges site. So here is my first CAS challenge card to sing a happy note back to the many folks who sent me welcome notes.
Thanks so much for stopping by!
...Jan
Tuesday, June 18, 2013
Faux Watercolor Color Technique
Recommended supplies: Stamps,
watercolor inks
or makers, white cardstock or watercolor paper, small mister, tissues,
small
brush, container of water to clean brushes, heat gun and craft mat or
other
surface to work on. Note: Distress inks and markers are designed to work well
with water so they are recommended for this technique. Other watercolor products may also work.
Basic faux watercolor technique
Any stamps can be used for this technique. If this is your 1st time with this
technique you may want to begin with some mid-sized stamps-about 3” where no
more than ½ the stamp is solid rubber.
1.
Color with stamp with multiple colors. There is not a need to be exact in coloring since the colors
will move and blend once misted. No
problem if your colors dry before you stamp-the misting will take care it.
2.
Mist the stamp with a complete coverage of water-start with 2 light spritzes from a mini mister. (This varies according to
the products you use so take a close look each time you mist so you can know
how to adjust in follow-up experiments.
3.
Place
the stamp on your paper and apply pressure for a few
seconds before removing so the ink has a little time to settle into the
paper.
4. Dry with heat gun.
Advancing your faux watercolor skills
Negative image stamps (ones that are designed so
you ink the background of the stamp) can be somewhat more challenging to achieve terrific results. Make a trial image as described above. If you have lots of areas that are not colored on your image after misting you may want to lay your stamp face-up flat to the
table and place your paper over top and rub one hand over the paper while
holding the paper in place with the other hand.
Gently remove paper from stamp and heat set.
Improving faux watercolor issues:
·
To
add color- Paper must be dry. Place some additional color on an acrylic block or mat
to use as a palette and apply with a wet paint brush. Dry with heat gun. Additional
layers can be added as desired.
·
To
remove color- Paper must be dry. Add clean water
to area with a paint brush, blot water with tissue, repeat until it is
satisfactory. Be careful not to rub
paper or it may peel off.
·
If
your paper curls after drying- hold paper with both hands on
opposite ends of the paper and roll back and forth a few times over a tabletop’s
rounded edge.
Tips and tricks:
·
To
avoid accidental water spillage-set up you workspace with all your
supplies on your side of your dominant hand except for your water container and
any beverages to the opposite. Reaching across your work takes extra attention
which hopefully will eliminate some accidents. Unfortunately I remembered this
just today after I ruined a couple nice images.
Other things to try: gradient
multi-color inkpads; sentiment and background images; color with distress
strains instead of ink; dilute liquid pearls with water to brushed on faux
image to create a sheer pearlescent effect; if full image is not acceptable can
a portion of the image be used for border, pendant, banner or a punched image?
Paper:
Inking
may leak through regular card stock-work on a protected surface. - Hot press paper is smooth, inks more evenly when stamping.
- Cold press paper has some texture and absorbs water faster than hot press. Note: this is all I had and found that the flatter backside worked much better for this project.
One of the terrific participants was Michele Duffy whose blog is It's About the Paper. I overheard a secret tip that she is having a GIVEAWAY on her blog today for a Sweet Stamp Shop stamp set and you may just want to make it your next stop!
I hope you get to enjoy some creative time today!
...Jan
Saturday, May 25, 2013
Mix17 Ying and Yang Challenge
This SCS challenge requires using two different mediums. One that creates a smooth surface and one a rough surface.
For a rough surface I started with a scrap of packing material which came embossed with a dotted pattern. To add to the rough appearance I added walnut distress ink and liquid pearls. At the folded edge of the card I also added a line of hot glue and some micro beads. While most might think of hot glue in terms of a nice smooth line my lumpy results are prefect for the rough surface. Particularly after adding microbeads onto the hot glue.
I must shout out a thank you to Vivian Keh at Contadina K . I have been blog follower for many months and frequently get to enjoy her use of hot glue in her mixed media projects. I appreciate her inspiration! My next challenge is to more on my hot glue technique so I can also achieve a more organic looking line.
For smooth surfaces I often think of vellum and one of my favorite looks is white embossing on the white vellum. Here I used a Tim Holtz stamp and embossed in white. I embellished with a few butterflies made with scraps of alcohol inked glossy cardstock.
Thank you for stopping by today! I'm curious have you ever thought of using different mediums to achieve different surfaces when working on a card or mixed media?...thanks for sharing a comment!
Finding balance when using different medium that result in rough and smooth surfaces |
For a rough surface I started with a scrap of packing material which came embossed with a dotted pattern. To add to the rough appearance I added walnut distress ink and liquid pearls. At the folded edge of the card I also added a line of hot glue and some micro beads. While most might think of hot glue in terms of a nice smooth line my lumpy results are prefect for the rough surface. Particularly after adding microbeads onto the hot glue.
I must shout out a thank you to Vivian Keh at Contadina K . I have been blog follower for many months and frequently get to enjoy her use of hot glue in her mixed media projects. I appreciate her inspiration! My next challenge is to more on my hot glue technique so I can also achieve a more organic looking line.
For smooth surfaces I often think of vellum and one of my favorite looks is white embossing on the white vellum. Here I used a Tim Holtz stamp and embossed in white. I embellished with a few butterflies made with scraps of alcohol inked glossy cardstock.
Thank you for stopping by today! I'm curious have you ever thought of using different mediums to achieve different surfaces when working on a card or mixed media?...thanks for sharing a comment!
Tuesday, May 21, 2013
A Virtual Vacation
Creating texture and dimension
I designed this underwater reef scene as a virtual vacation in an effort to ignore the snow that is falling outside my window…yes, I made this tag on Friday, May 17!
I hope you love texture and dimension as much as I do because that was a main focus for this tag. I used scraps to create this scene and the “glitter
under glass effect" techniques was added as described in this week’s SCS MIX16 challenge.
The base of this tag is a scrap of paste paper with a debossed swirl pattern. The seahorse was made with a scrap of paper created with the shaving paper technique. It was die cut and run through a crimper. The other sea life elements were cut with original Cuttlebug dies, embossed with small graphic patterns to add texture and enhanced with distress inks. All were attached with matte medium.
The "under glass effect was made by using stickles to highlight the seahorse and large shell and a light covering over the entire element. Once dry each was covered with glossy medium for the “under glass effect”
The top of the tag is covered with small scraps. Stickles was used to fill in all the gaps between scraps and sparingly cover the surface. When dry the scraps were covered with glossy medium.
Since I previously had not used glossy medium I did a comparison test for this project. I found:
· Glossy accents provided the look with the thickest layer of coverage and perhaps best meets the description for Glitter under Glass.
· Ranger's Glossy Glue N Seal was the thinnest layer of coverage.
· Claudine Hellmuth's Studio Glossy Medium provides a mid-range glossy look-similar to cloisonné and became my preference for this project.
I am entering this project into eP Picks Challenge - Gel Medium at Eclectic Paperie
As always I appreciate you taking time to look at my work and when you share your thoughts you add sunshine to my day! May your day include some happy creative moments!
I designed this underwater reef scene as a virtual vacation in an effort to ignore the snow that is falling outside my window…yes, I made this tag on Friday, May 17!
The base of this tag is a scrap of paste paper with a debossed swirl pattern. The seahorse was made with a scrap of paper created with the shaving paper technique. It was die cut and run through a crimper. The other sea life elements were cut with original Cuttlebug dies, embossed with small graphic patterns to add texture and enhanced with distress inks. All were attached with matte medium.
The "under glass effect was made by using stickles to highlight the seahorse and large shell and a light covering over the entire element. Once dry each was covered with glossy medium for the “under glass effect”
The top of the tag is covered with small scraps. Stickles was used to fill in all the gaps between scraps and sparingly cover the surface. When dry the scraps were covered with glossy medium.
Since I previously had not used glossy medium I did a comparison test for this project. I found:
· Glossy accents provided the look with the thickest layer of coverage and perhaps best meets the description for Glitter under Glass.
· Ranger's Glossy Glue N Seal was the thinnest layer of coverage.
· Claudine Hellmuth's Studio Glossy Medium provides a mid-range glossy look-similar to cloisonné and became my preference for this project.
I am entering this project into eP Picks Challenge - Gel Medium at Eclectic Paperie
As always I appreciate you taking time to look at my work and when you share your thoughts you add sunshine to my day! May your day include some happy creative moments!
Sunday, May 12, 2013
MIX 15 Scrapping a scene
Challenge15: Use scraps of paper and make a scene. (See details of Splitcoaststampers Mix-Ability challenge details in the previous post.)
For the background I combined scraps of Basic Grey paper with some stenciling scraps. As I was laying out the paper I saw what is a natural looking shadow under the bird's head created by the background of the circles on the background paper. What a serendipity!...I worked with the layout to maintain this effect in my final card.
I covered the bird with newspaper scraps from the weather report and related articles. The numbers on the lower body are the high and low temps around the world. The little pendant shapes on the tail were from weather map portraying the cold front coming our way.
I added distress stains to the gel medium used on top of the bird to achieve translucent colors.
Below the bird I added punched leaves and dried flowers from last year's garden. I have found gel medium to be the best adhesive for adding flowers. I use my fingers when applying on flowers.
I used gel medium for the entire card both to adhere the pieces and a top coat.
Wednesday, May 8, 2013
MIX-Ability Challenges
Over the past weeks I have enjoyed playing the Mixed Media Challenges over at Splitcoaststampers. These challenges are designed to make mixed media simple and approachable, and to inspire stampers to experiment with medium from their stash.
A "medium" can be any of the following:
- Pencils - wax, oil, watercolor, graphite/charcoal, chalk/pastel
- Pastels - chalk, oil
- Markers - watercolor, pigment, water-based, acrylic
- Pens - ink, glitter
- Pigments - Gelatos, watercolor crayons, metallic rubons
- Paints - watercolor, acrylic, oil, poster, tempera
- Inks - dye, chalk, distress, reinkers, pigment, hybrid
- Powders - mica, pigment, chalk
- Sprays & airbrushing
- Dimensionals - embossing paste, gesso, fabric, found items, papers (collage, piecing) & ephemera, foils
- Heated elements - encaustic wax, embossing
- A "mix" can be any two or more of these items or others.
Challenge: Hand cut (no dies!) circles from paper, fabric or anything else and make them into flowers and then add glitter to make them sparkle!
I swiped several distress pads across the card base to create the background. The flowers are created with texturized paste paper I recently made. The stem and leaves are recycled security envelope liners. Lots of tearing, scrunching and folding paper. This was so-o much fun!...pure playtime!
MIX12 Soft Landings My Friend
Challenge: Add a POP of color from across the color wheel. I also challenge myself to pull out a couple stamps I had not used before.
I used distress inks to stamp and color the feather and then clear embossed. Highlights were colored with Inktense pencils and then wet a paintbrush to create a watercolor effect. Wow that yellow Inktense did give a pretty pop of color. Highlighted the feather's spine with a Signo white pen.
I covered moth and feather with gel medium and let it dry. Created the background with blue and green distress inks. I swipped inks on craft mat and moistened. Card stock was placed face down in ink and repositioned a few times. Dried with heat gun.
I tested several other methods of creating the floating skies and could not achieve any as effective as the distress inks. I was pleased with how the gel medium protected the images from the background ink.
These stamps are large! I had to create a 4x7 base to achieve the floating effect I desired. But it will be well worth making a special envelope.
MIX 13 Challenge- Use 2 mediums and include some hand drawn doodling on your project
Monday, May 6, 2013
Monthly tag swaps at 2 Peas
April swap required including a tree image and quote.
I started by creating a distress background. Then added a layer of brush strokes around edges and heat embossed. Finished with an edging of vintage photo around entire tag and accented with some water droplets.
Selected an old favorite tree stamp from a company now out of business and stamped image and added quote and stamped edges. Create divider stripe by painting embossed packing scrap in gold. In upper left corner I added a skeleton leaf with medium gel and fibers for embellishment.
The May swap required the use of flowers and a masking technique.
This tag is inspired by my little rock garden tucked below birch trees at the beginning of my front walkway. Perennial violets are one of the few plants that survive our harsh winters.
I created a background with Dylusion mists. Stamped the violet in archival ink and colored with watercolors. Stamped the leaves below the plant. I used a leaf mask to sponge in yellow honey distress inked areas at the top then added a layer of stamped leaves. I made a mask for the violet plant and used Yasumoto Pearlescent watercolors to soften the color around the violet.
I added a layer of gel medium to adhere dried flowers from my last year garden(top and bottom left corners). Once dry I added a top coat of medium and liquid pearls to the center of the flowers.
I started by creating a distress background. Then added a layer of brush strokes around edges and heat embossed. Finished with an edging of vintage photo around entire tag and accented with some water droplets.
Selected an old favorite tree stamp from a company now out of business and stamped image and added quote and stamped edges. Create divider stripe by painting embossed packing scrap in gold. In upper left corner I added a skeleton leaf with medium gel and fibers for embellishment.
The May swap required the use of flowers and a masking technique.
This tag is inspired by my little rock garden tucked below birch trees at the beginning of my front walkway. Perennial violets are one of the few plants that survive our harsh winters.
I created a background with Dylusion mists. Stamped the violet in archival ink and colored with watercolors. Stamped the leaves below the plant. I used a leaf mask to sponge in yellow honey distress inked areas at the top then added a layer of stamped leaves. I made a mask for the violet plant and used Yasumoto Pearlescent watercolors to soften the color around the violet.
I added a layer of gel medium to adhere dried flowers from my last year garden(top and bottom left corners). Once dry I added a top coat of medium and liquid pearls to the center of the flowers.
Friday, March 22, 2013
Tattered flowers cure spring fever
OH, I have spring fever bad! It got dark here after 9pm last night. In my head I know we can have another month of winter but oh, I am so-o ready for summer. Um yes, we actual don't have spring, yes no spring flowers :-( So a girl does what she must...MAKE ART!
With an encouraging message from Tim this morning reminding subscribers of the deadline tonight and a fun mix challenge of Rip it, Paste it, Ink it came together in my mind...so no stopping a day brightener being created today!
To create the flowers, I colored white glossy paper with alcohol inks with the polished stone technique and cut with the tattered flower die. Dimension was added to the petals by creasing and bending.
The background was made with printed papers. Some were created with the wrinkled distress technique and hills and valleys highlighted and were colored with mists, distress inks, distress stains and mists.
The hills in the background remind me of the snow capped mountains that can be so clearly seen for the next few months. But my wishes for summer had me creating lots of green mountains and only edged with snow :-) And if you note the top flower is soaking in all the sunlight.
Background for the card-Krylon gold webbing paint.
Here's to sunshine and making art!
...Jan
With an encouraging message from Tim this morning reminding subscribers of the deadline tonight and a fun mix challenge of Rip it, Paste it, Ink it came together in my mind...so no stopping a day brightener being created today!
To create the flowers, I colored white glossy paper with alcohol inks with the polished stone technique and cut with the tattered flower die. Dimension was added to the petals by creasing and bending.
The background was made with printed papers. Some were created with the wrinkled distress technique and hills and valleys highlighted and were colored with mists, distress inks, distress stains and mists.
The hills in the background remind me of the snow capped mountains that can be so clearly seen for the next few months. But my wishes for summer had me creating lots of green mountains and only edged with snow :-) And if you note the top flower is soaking in all the sunlight.
Background for the card-Krylon gold webbing paint.
Here's to sunshine and making art!
...Jan
Monday, March 18, 2013
Challenges during 2 Pea Winterfest
Sunday, March 3, 2013
Beautiful butterflies
Inspiration:
Victoria Butterfly Gardens, British Columbia, Canada Beautiful memories from a visit over 10 years ago.
Challenges:
Simon Says Stamp and Share-Use a stamp you love but don’t use often enough. So happy to give my butterflies center stage on the card for they have waited a long time. In fact so long I do not remember the manufacturer so if anyone can help me with that I would certainly appreciate it!
SCS Mix-abilitiesweekly Friday challenge #5-The Mask-erade Ball
I defined the portion of the Flower of Life stencil (by Artistcellar) that I wanted to print on my cardstock panel including the right top and bottom corners (border area on the stencil) by masking off unwanted areas with printer paper. I also used Eclipse masking paper to define the placement of the butterflies. After lightly misting the stencil I gently tapped the cardstock into the mist to capture a reverse print.
This is my first inking of the HA leafy vines stamp and I placed the image on the left side. A blending tool was used to color the background with distress inks and a aquabrush to paint the butterflies with distress inks. The image is matted with black glossy paper and attached with 3-D dots. A corrugated packing paper was painted and buffed with Inka Gold covers the card’s front. Sparkling accents were added to the butterflies with a Sakura gellyroll stardust pen.
This is my first inking of the HA leafy vines stamp and I placed the image on the left side. A blending tool was used to color the background with distress inks and a aquabrush to paint the butterflies with distress inks. The image is matted with black glossy paper and attached with 3-D dots. A corrugated packing paper was painted and buffed with Inka Gold covers the card’s front. Sparkling accents were added to the butterflies with a Sakura gellyroll stardust pen.
Thanks for stopping by...I would love to hear your comments.
...Jan
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